The Kemist Gets “Fired Up” With New Track

Jamaican artist, producer and DJ, The Kemist, teams up with LNY TNZ & Ruthless for the new EDM crossover track “Fired Up”. After their previous collaboration with Yellow Claw on ‘Last Night Ever’, LNY TNZ and Ruthless collab for a yet again to bring you another loud and energetic banger. Expect some huge kicks and melodies topped off with some super catchy vocals by The Kemist.

‘Fired Up’ is out now on Barong Family.

Listen below:

The Wizard Drops Reggae Sumfest Mixtape

Just ahead of Jamaica’s Reggae Sumfest in July, singer, songwriter and producer The Wizard releases the Reggae Sumfest Mixtape.

Featuring music from all the artists set to perform during the festival, Kat Dahlia, Nyanda and The Wizard all make appearances on the mixtape alongside Aidonia, Busy Signal, Future & more.

Reggae Sumfest 2014 kicks off July 13th and takes place through to the 19th, featuring three nights of live music from some of the world’s biggest stars; with past performers including Vybz Kartel, Alicia Keys, Jay-Z, Beenie Man & many others.

Listen & download the mix below:

The Wizard Releases Her New Single “TOPPANARIS”

Producer, Singer, Songwriter The Wizard showcases her fresh Deejay skills on her feel good single for the summer, TOPPANARIS.

“The song TOPPANARIS is just about doing you and not caring about what anybody else thinks”, says The Wizard. “People have a tendency to judge what they don’t know or ovastand, so my response is simply “rock a bye baby” Guh sleep .. we nah dig no negative vibrations”.

“Being a TOPPANARIS is just embracing what makes you different. Just know seh u royal same way”, says The Wizard.

Connect with The Wizard:

Salaam Remi’s Interview with JET Magazine

Salaam Remi recently sat down with Quassan from Jet Magazine to talk about the new album, working with Amy Winehouse and Kendrick Lamar, and what we can expect in 2014.

Read the full story below.

Courtesy of

Born in Queens, New York producer Salaam Remi has been the immaculate tour de force for popular artists for over a span of 20 years.

Salaam has produced hits for popular artists spanning various genres, such as Alicia Keys, Miguel, Kendrick Lamar, Nas, The Fugees, Jazmine Sullivan, Nelly Furtado, Cee-Lo Green and Usher.  His collaborations with singer Amy Winehouse included “Me & Mr Jones,” “Some Unholy War,” and a few other songs that helped to put Winehouse in a production class by herself.

Salaam’s CD Salaam Remi One: In The Chamber features guest vocalists Akon, Ne-Yo, Corinne Bailey Rae, Jordin Sparks, Estelle, Stephen Marley, Lemar and CJ Hilton, in addition to orchestral songs composed by the producer. He scored the remake film Sparkle, the Mike Tyson documentary, TYSON, and was executive music producer on the both Sex and the City films and Rush Hour 3.

Louder Than Life is Salaam’s own label imprint through Sony Music.

The Grammy-nominated music producer performed “One in the Chamber” with Akon on The Tonight Show with Jay Leno earlier this week and recently chatted with me about music production, the late Amy Winehouse, hip-hop and his first CD.

Quassan: Often producers have a particular sound attached to their name. You can listen to that particular sound and say this individual produced that piece of music. You are constructing music that carries diversity with each sound. Alicia Keys’s “Girl on Fire” is so different than Amy Winehouse’s “Tears Dry On Their Own” and that sound is so different than Nas’s “Reach Out.” How do you do it?

Salaam Remi: I try not to actually create music based on a particular sound trend. I design the sound based on what the artist is trying to get across.  Similar to a movie set design, I try to find the sound that goes best with the person’s voice and design that sound.  I consider the emotion that needs to be evoked.  I’m always trying to strike an emotion with each piece of music. I don’t have a typical sound the way many producers have, where people can recognize my beat. I create a different sound with each musical piece.

Quassan: You did some incredible work with singer Amy Winehouse and she died at the height of her career when her music became even more popularized. Describe your experience working with Amy and who she really was outside of the addictions?

SR: Amy was someone I met at 18 years old.  She had enormous talent and she and I treated each other like brother and sister.  The day when Amy died, I was on my way to her home because we were set to attend a wedding the following day. She was my good friend, more than a collaborator. Amy was caring, she could crack jokes yet still be passionate about her artistry.  That was the Amy I knew. If she struggled with doubt, my job as her friend was to help her to realize her potential. [Pauses] Ella Fitzgerald and Billie Holiday musically inspired Amy.  She knew the work of music artists that passed way before she was born. Amy Winehouse is my sister. She’s missed.

Quassan: Listening to your CD, it’s obvious you have a really good ear for selecting music that has success potential. I know your dad is producer Van Gibbs. Growing up, what artists were you listening to as a young person?

SR: Growing up, I listened to gospel music. My grandfather was a pastor, so I grew up listening to all types of music connected to the church. My dad is from Trinidad, so I listened to West Indian music as well. Jazz and disco were also part of my music upbringing. When I became a music fanatic, it was at a time in the ’80s when the hip-hop generation was emerging. I was immersed in hip-hop.

Quassan: The birth of hip-hop conjures up so many memorable moments! What artists did you favor across the genre board?

SR: I grew up in New York, which is a melting pot of eclectic music. I jammed to Tom Browne’s “Jamaica Funk” all the way to records by Big Daddy Kane and Biz Markie. I also jammed to Sugarhill Gang, Yellowman and Evelyn Champagne King.

Quassan: Have we narrowed our scope of originality and creativity as it relates to present day hip-hop music?

SR: Wow! Hi-hop is commercialized. We are in a place where people copy what happened yesterday. The current state of hip-hop is where there is a venue, there is music that plays and that music becomes what everyone listens to. The current Southern influence in hip-hop is because the South is where you find massive clubs where people go to party. The music in those clubs permeates in pop culture and on the radio.  Any place where there is a live nightlife, music can become popular even before it hits the radio. Take what’s being created in hip-hop and move it to the next level.

Quassan: Your CD features new music from Akon, Ne-Yo, Corinne Bailey Rae, Jordin Sparks, Estelle, Stephen Marley, Lemar and CJ Hilton. When you reflect on the work of your album, what are you most proud of?

SR: It’s the soundtrack of where I been in my life. I’m proud of the musical element as well as my personal growth that is reflective on the CD.  It’s a body of work that speaks to what my weekend music vibe consists of. [Laughs] The weekend vibe music consists of some chill out music, which can range from jazz to Ne-Yo or Akon.

Billboard Talks Salaam Remi’s New Album

Story courtesy of

Sony Exec Salaam Remi Takes Artist Turn with New Album:


Sony Music exec. VP of A&R and production Salaam Remi, who recently launched his Louder Than Life Sony imprint—including sub-imprints RemiFaand Flying Buddha—now adds “artist” to his growing list of credits. His debut album “Salaam Remi One: In the Chamber” (Flying Buddha/Sony Masterworks) will be released digitally on Sept. 30.

The set boasts several guest appearances including Ne-YoCorinne Bailey Rae and Akon, the latter of whom appears on the title track lead single “One In The Chamber” which is available now on iTunes.